Set on one day, June 16, 1904, James Joyce’s Ulysses follows the young poet Stephen Dedalus and the unlikely hero Leopold Bloom as they journey through Dublin. The groundbreaking novel links the epic to the ordinary, connecting characters and motifs from Homer’s ancient Greek poem the Odyssey with life in the Irish city that created Joyce. Written in self-imposed exile between 1914 and 1921, Ulysses expanded the limits of language and genre — and not without controversy. Censored and banned in America and England for obscenity, its publication in Paris a century ago was the catalyst for new legal standards of artistic freedom.
To mark the centenary of the novel’s first edition, the Morgan presents One Hundred Years of James Joyce’s “Ulysses” with items from the Morgan’s Sean and Mary Kelly Collection and the James Joyce Collection, University at Buffalo, The State University of New York.
Curated by the noted Irish author Colm Tóibín, this exhibition explores Joyce’s trajectory from lyric poet to modernist genius. It considers key figures in his career, artists and writers who responded to the novel, and the family who shaped him as a man and writer. At the exhibition’s heart is Joyce’s imagination as he created his masterpiece, explored in rare publications, portraits, correspondence, manuscripts, plans, and proofs — many of which are reunited for the first time in a century.
To learn more, visit themorgan.org.
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